Research

Working on a book about colonialism and youth culture in Weimar Germany (1918-1933)

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Imag(in)ed Hegenomies: Colonialist Literature for German Youth during the Weimar Republic

 

A "flood" of popular literature about Africa swept the book market in Germany after it had irretrievably forfeited all its colonial possessions at the end of World War I. From 1884 to 1914, Germany had become the world's third or fourth largest colonial power (depending whether one referred to land mass or to population); in Africa, Germany had claimed territory in what is today Togo, Cameroon, Tanzania, and Namibia. Overseas possessions, however, affected the German economy and culture little in comparison with the impact colonies had on England and France. Nevertheless, a dedicated minority of influential Germans devoted serious and sustained efforts after 1918 to keep alive the desire for empire in Germany. Their influence precipitated a surge of colonialist literature in the mid-1920s that maintained a strong presence in popular culture well after the end of the Weimar Republic (1918-1933), despite the indifference the general public held toward reclaiming colonies. Theoretical considerations include rhetorical interplays between images and written texts and inventions of cultural memory in print, film, and education. An analysis of the campaigns to generate a collective colonialist mindset reveals both the power and the impotence of imperialist propaganda during the Weimar period in Germany.


Published Books

Carpe Mundum: German Youth Culture of the Weimar Republic (Kinder- und Jugendkultur, -literatur und -medien 50), 2007.

 

Carpe Mundum analyzes German Youth culture during the Weimar Republic (1918-1933). Each chapter addresses a distinct topic: sex educational materials for young people, the language of the censorship debates, novels dealing with war, historical narration, magazines, popular science and science fiction, radio, and sports. Together the themes illustrate the influence of nineteenth-century holistic thinking in popular culture in early twentieth-century Germany. Public policies and institutions governing German youth culture during the Weimar Republic, including education and social welfare, evince spiritual underpinnings of Naturphilosophie – a movement which promoted the unity of all things. As cultural modernity in Germany enabled young people greater participation in shaping their culture, elements of a modernity of youth emerged as distinct from that of the adult world and its ideologically laden system of values. The essence of youthful modernity in Germany as evident most clearly in popular magazines, radio, and sports rests primarily on spontaneity, ingenuity and camaraderie.


Comrades, Friends and Companions: Utopian Projections and Social Action in German Literature for Young People 1926-1934 (German Life and Civilization 3), 1989.

Comrades, Friends and Companions provides the first critical analysis of classic German novels for young people of the late Weimar Republic. The author reveals how purportedly realistic portrayals of youth in groups projected a "better world" in the years of social and political crisis. These alternative realities in the German adolescent novel of the time evince the pedagogical and ideological struggles that were endemic in Weimar Culture. This study also confronts the early work of Erich Kästner and his restructuring of authority in the Enlightenment pattern of the "model child".


Published Essays